Friday, 2 March 2018

Thor 3

Thor: Ragnarok is not all that bad, but the movie has plenty of shitty bits in its stew of genre clich├ęs. Right from the start, it makes feeble jokes about superhero cinema and pokes fun at its main characters, especially the god of thunder, who is ridiculed and belittled throughout, and not just by the villains. I was dubious after seeing that trailer with its ridiculous sitcom line: “He’s a friend from work,” which suggested the producers had simply abandoned any pretence that Thor might talk like he usually does in Marvel comics. Here the Asgardian heir chats and banters with his bromance co-stars, Loki and Hulk/ Bruce Banner, and even begs for mercy from his enemy’s barber (Stan Lee’s ill-advised cameo). Thor loses his magic hammer in the obvious castration metaphor, and acts just like a 1980s’ fantasy movie barbarian in this adventure’s gladiatorial sequence rather than the formidable caped superhero of Kenneth Branagh’s Thor (2011), which now seems even more cod-Shakespearean, in its tone and style, than it ever did before, if compared to the sadly crappy humour of this second, very disappointing, sequel.


Jeff Goldblum’s space villain Grandmaster is played as a campy glam-rock showman, reduced to the cosmic equivalent of hosting TV circus routines. Cate Blanchett hides behind her equally campy smirks while Hela effortlessly slays the supporting players - Volstagg, Fandral, and Hogun, in her unfortunately pantomimed conquest of Asgard. This movie’s version of the Hulk talks far too frequently and lapses into a comic-book sidekick role largely at odds with the monstrous city-wrecker as depicted in Avengers movies. It is a betrayal of the character seen at his very best in Ang Lee’s Hulk (2003). Karl Urban is wasted as conflicted executioner Skurge, and Tessa Thompson is clearly too Californian to play Norse warrior Valkyrie.


Hulk wipes the floor with Thor, while previous victim of such indignity, Loki, cheers. Director Taika Waititi’s voice for farcical stone-man Korg is quite appalling to hear in a $180 million budget production that could afford Sam Neill and Matt Damon for its throwaway exposition in an Asgardian theatre scene. Almost lost in witless references to, and repeats of, Marvel movies’ comedy classics, and grotesque displays of Z-grade talent-show acting, the best sequence in this knockabout buddy-movie's regrettably dismal failure of space-opera imagination is the flashback to valkyries on winged horses, flying into combat against Hela. Looking like something created by Zack Snyder, this battle boasts a magnificent artistry, and mythic grandeur, a cosmos away from all the stupid gags at the expense of Thor. 


As a result of its archly contrived comedy content, Thor: Ragnarok probably qualifies as just a spoof movie. It contributes nothing of interest or value to the franchise.

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